William Spademan as Robert and Kimberly Gaughan as Catherine, in a recent rehearsal for Heartbeat Theater’s inaugural production of ‘Proof’.
Photo credit: River Hambleton, Heartbeat Theater
EASTHAMPTON — Heartbeat Theater, a new theater company established by a group of passionate area stage actors and crew is debuting its inaugural production to kick off the new year as they will present “Proof,” opening on Jan. 16 in The Blue Room at CitySpace.
Set in the early 2000s, “Proof” is a Pulitzer and Tony Award-winning play by David Auburn and has received much critical acclaim due to its commanding exploration of truth, authenticity and the fine line between brilliance and instability.
Jumping between past and present, the story centers on the family of a recently deceased mathematical genius. Through moments of profound revelation, deep healing, bitter judgement and good humor, “Proof” examines how we reconcile grief, question the future and make peace with the legacy left behind.
“‘Proof’ confronts the burden of family legacy and how families can be torn apart by doubt and grief, only to discover deeper ties that bind,” said Director Jason Rose-Langston. “The play examines the struggle to know oneself and the need we all have to be truly known by others.”
The cast features local talent, including former Ashfield Community Theater Director William Spademan as Robert, a professor of mathematics at the University of Chicago. Kimberly Gaughan joins him as Robert’s daughter and caretaker, Catherine. Anne Zager plays Catherine’s older sister, Claire. Shelton Windham rounds out the cast as Robert’s former student, Hal.
Performances will begin on Friday, Jan. 16, at 7:30 p.m. in CitySpace’s Blue Room. Following performances will be on Jan. 17, 23 and 24, at 7:30 p.m., and matinee showings will be on Jan. 18 and 25 at 2 p.m. Tickets are available at heartbeattheater.org.
Rose-Langston and Gaughan both told Reminder Publishing the formation of Heartbeat Theater stems from the recent Easthampton Theater Company’s production of “On Golden Pond” which the two directed and starred in, respectively. As that production was wrapping up, Gaughan said she remembered asking fellow cast member William Spademan if he was familiar with the play “Proof.”
“From my perspective it was sort of a oh, wouldn’t it be nice if the theater company did this play some day and we could be in it, but William being as creative and gung-ho as he is, suggested that we just do it together,” explained Gaughan. “I was really taken aback by that because I’ve been an actor for almost 20 years and you sort of rely on casting directors and production companies to cast you. You’re always kind of at their whim and this idea that we could just do it ourselves and cast ourselves I guess is slightly narcissistic, but it worked really well.”
With the motivational push to see what was possible from Spademan, Gaughan said the two of them began discussions on forming a new theater group and brought Rose-Langston into the fold thanks to the “wonderful environment” he facilitated as director of “On Golden Pond.”
“They approached me with this idea, and they didn’t know actually that ‘Proof’ was on my bucket list to direct so we had this wonderful conversation over dinner where they thought they had to convince me to direct it and I thought I had to convince them to let me direct it, so it was joyous from day one,” said Rose-Langston. “It sort of happened very organically that we developed this new theater company and Heartbeat Theater came out of just the beautiful collaboration we had in ‘On Golden Pond’ and the continued friendship and collaboration that we want to bring into this new venture.”
Wanting to be a part of a production of “Proof” since a teenager, Gaughan said this new endeavor was the perfect opportunity to make it happen. As stated by the theater company, Heartbeat Theater’s mission is to present simple, intimate productions of great plays — one heartbeat in the evolution of human society passing ever forward its stories.
“I think part of the reason I was interested once William proposed starting a theater company was that I always envisioned a theater company that produces simple productions of great plays,” explained Gaughan. “I really love to see acting forward productions, so where the focus is on the actors, the narrative, the story. Don’t get me wrong, I love big theatrical things, you know, like ‘Phantom of the Opera,’ but I think that there is a space for more intimate shows in studio spaces with simpler sets where you really get to see the actors in their full glory. And I think ‘Proof’ is a play that really lends itself to that. It’s a forehander. Most of the scenes only have two or three people in them, so there’s a lot of focus on the story and so I thought it was a great play to start with.”
Rose-Langston added that for this production, concentration on performances takes highest priority with the show’s intimate venue and story. He called “Proof” “one of those universal stories of family drama.”
“The show grapples with the themes of grief, themes of loss, and really delves into the aftermath of legacy, because of the father’s legacy. What does that mean to the people who are left behind? What does that mean in terms of their own identities both connected to the father but also as separate individuals,” said Rose-Langston.
He added, “It’s also a story that revolves around mental illness as well, which is one of my specialties as a professional, I’m a psychotherapist. And so that’s one of the things that drew me to the show. It’s one of the few pieces that I’ve found that really handles mental illness very accurately and also very compassionately. It doesn’t devolve into stereotypes or anything like that but really is embedded in the show in terms of mental illness and questioning your sanity is the importance of truth. The importance of understanding truth, recognizing truth, and being perceived as a truthful person, being trusted of your own mind, your own will. Those are the things that drew me to the piece.”
Both Rose-Langston and Gaughan said they are eagerly awaiting the opening of Heartbeat Theater’s inaugural production of “Proof” and hope the shows can build momentum forward for the new theater group.
“What I think we offer is something that the valley has been missing for quite a while, these very intimate, minimalistic productions that focus in on performance over production value. Production value is wonderful, don’t get me wrong, I love a big splashy show. It’s really beautiful to be part of that and I’m still part of ETC’s board of directors and still heavily involved with their shows as well. But this is something different. I thought it was a nice change of pace for the valley and it really allows us to focus on craft,” said Rose-Langston.
Gaughan added, “I think the running joke currently is we’re just trying to get through this first production, but I do have visions for us. We’re such a wonderful community. I feel like we’re a little family of artists who’ve come together and we all have different tastes and preferences, but I think there is a similar goal that we love really strong narratives. We love really strong tight plays, and we like doing them with simplicity.”
Gaughan credited Easthampton Theater Company for their support in this new endeavor and added Heartbeat Theater is lucky to be based in the Pioneer Valley surrounded by artists who want to come together.
“There’s just so much going on [in the area] and I found that people are so eager to be involved and create great art and I’ve never experienced that in my entire artistic career, this community of people coming together and uplifting each other,” said Gaughan, who moved to the area from Boston in the last year. “So, for us to be able to join this theater scene which we’re so grateful to be a part of it was very easy because everyone is so welcoming and helpful.”
